↓
Latest
New Music: Anberlin release CURRENCY, first album with a new frontman, to mixed critical reception Tours: Circa Survive announce 2027 US tour starting at Welcome to Rockville New Music: dexter in the newsagent releases "Edge Of The World", inspired by B.o.B and Hayley Williams Tours: The Adicts headline Garden Grove Amphitheater with Love Canal, Gvllow and Los Creepers Tours: Saves The Day to play Stay What You Are in full at Liverpool's Loud & Clear Festival Tours: Aftershock sets 2027 dates in Sacramento with tickets on sale November 16 Tours: Coachella 2027 lineup features Pinegrove, American Football, Basement and Weezer Videos: Deftones play "Melanie" live for the first time since 2008 Videos: Hayley Williams drops "Dream Girl in Shibuya" video, shot and edited by Zachary Gray Videos: Donkey Jaw release "No Vacancy" video after signing to Hey!Fever Records Interviews: Brian Fallon tells Rock Sound how meeting Travis Barker changed how he writes songs Videos: Sad Boy Union release "State Of The Union / White Man's Tongue" double video

New Music

Spanish Love Songs release fourth album "Future Nausea", produced by Chris Walla and Sarah Tudzin

Dylan Slocum says he set out to make a big rock record that was "more angry than sad", built around ICE raids, climate collapse and far-right extremism.

Published on · Reported from The Punk Site

Spanish Love Songs have released "Future Nausea", their fourth full-length. The record was tracked in separate sessions with two producers: former Death Cab for Cutie guitarist Chris Walla and Illuminati Hotties' Sarah Tudzin.

The album borrows the widescreen ambition of heartland rock — shimmering keyboards, ringing guitars, outsized choruses — while rejecting the genre's backward glance. Instead of nostalgia, Dylan Slocum's lyrics face forward, following characters caught up in ICE raids, communities hit by extreme weather and collapsing ecosystems, and warehouse workers treated as disposable in the race toward same-day shipping.

The title track opens the record with Meredith Van Woert's synth lines introducing each instrument one at a time before the song breaks open. Singles "Living Blues" and "Good American" ride rolling basslines and four-on-the-floor momentum, while "New Fears" leans on slamming tambourine and festival-sized swagger. "Jan666" and "No Dreams" mourn the loss of a loved one not to death but to men's rights groups, a border patrol job and right-wing extremism. "Doom Tripping" lays out the album's guiding argument, and sparse closer "Until the Sun Explodes", largely captured in one take, points to love and companionship as the antidote.

As with past albums, the title came first, lifted from a phrase Slocum heard on a podcast and later reinforced by a conversation with his father-in-law about generations who dreamed of moon landings while today's watch billionaires fire vanity projects into space. "I actually think this is the least sad record we've ever made," Slocum said.

The band have launched the National Independent Venue Association's first Live Independent Tour, which visits independent venues exclusively. For their upcoming EU and UK dates, each show will offer a limited number of 'cost of living' tickets priced at €20 / £20.

Reported from The Punk Site

Read the full story at The Punk Site

Newsroom copy, published with prior review. Editor in charge: Remy Zdrojeski. Spotted an error? Write to sociais@remyzdrojeski.com.br and we will fix it.

Read next